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#Nicholas art text series#

Lauren Burrow presents literal and methodological intersections between objects, narratives and the detritus of creative processes. With a degree of wit, Bryant grapples with everyday musings within a textual space that is wary of grandiose narratives. The process of understanding and reading everything and to some degree nothing in the space of art might sum up Nicola Bryant’s concern. In 2014 Jones is completing an Arts degree and exhibiting at Seventh Gallery in June. Thea Jones investigates the material consequence of touch – this contact between ‘things’ is envisaged as a complex interaction of physical forces – that questions how we as subjects understand intimacy. In 2014 Egan has exhibited at Slopes Project in February and will be exhibiting at the Substation Centre for Art and Culture in March and with Patrick Miller at Adult Contemporary in Perth. Both of these tropes of painting play simultaneously with the gestural mark and systematic reduction. A seemingly identical set of landscape paintings sits atop of a continuous frieze painted with a spear of broccolini.

#Nicholas art text series#

Each text, in its own way, slips around, courts ambiguity, evades singular interpretative routes, and at times blocks our perhaps over-schooled assumption of what an artistic process might entail.ĭavid Egan presents an audience with a series of discrete moments. Text and the textual becomes an autonomous entity within their art, another critical tool to engage the material and social world. They each, in accordance with the conceptual underpinnings of their research, used text to challenge any pedestrian understanding of the exegesis to illustrate and reduce art making and audience reception. I want to avoid tying this group of artists together via a central premise or a collection of neat themes. What I found interesting (and exciting) as one of this group’s teachers was not only their explicit use of text, voice and poetics within their art projects but their experimental approach to the exegetic text itself. In many cases, text becomes a tool to ground and substantiate – to stake a claim in the field – that the artists constructs or composes for the work. As an art school embedded within Monash University, it facilitates a program that encourages students to contextualise their art practice within a discursive and to an extent, ‘exegetic’ practice. This folio presents six recent graduates of Monash Art Design & Architecture’ (MADA) Fine Arts Honours program. The girl crying and the couple kissing were moved closer together in the frame due to space considerations on the cover.Nicola Bryant | Steaks, T-Bone (2013) | Biro on A4 paper The top right image on the cover (with different coloring) is a modified version of a splash page panel in this story. Script: Joe Gill? | Pencils: Charles Nicholas (signed) | Inks: Sal Trapani (signed) | Letters: typeset | Job #: 7141

The bottom right image on the cover is taken from a panel in this story. Script: Joe Gill? | Inks: Vince Colletta | Letters: typeset | Job #: 7077 The bottom left image on the cover is taken from a panel in this story.